Sam Maller | Asst. Photo Editor

G Clay Miller draws inspiration from conservative political pundits for several of his portraits.

Sam Maller | Asst. Photo Editor

Miller inspects an initial draft of his portrait of President Barack Obama.

Sam Maller | Asst. Photo Editor

Miller rips tape while preparing tape while preparing portraits of several political figures.

Sam Maller | Asst. Photo Editor

Strips of tape serve as the backbone to hold Miller's portraits together.

Sam Maller | Asst. Photo Editor

Miller cuts the figures out of his selected portrait subjects. Miller, an Obama supporter, uses him as a symbol of a charismatic leader.

Sam Maller | Asst. Photo Editor

A detail of Miller's work station. Among other mediums, he often uses tape in his public pieces.

Sam Maller | Asst. Photo Editor

MIller inspects his portrait of Glenn Beck before hanging.

Sam Maller | Asst. Photo Editor

Portrait of G Clay Miller, a public artist.

Sam Maller | Asst. Photo Editor

Upon completing his pieces, Miller rolled up his portraits, cleaned his work station and left unceremoniously.

Sam Maller | Asst. Photo Editor

A detail of Miller's portrait of Bill O'Reilly.

Sam Maller | Asst. Photo Editor

Miller hangs his portrait of Glenn Beck, the last of his three conservative figures.

Sam Maller | Asst. Photo Editor

Miller prepares his portrait of President Obama in front of Bill O'Reilly, Rush Limbaugh and Glenn Beck.

Sam Maller | Asst. Photo Editor

Miller puts the finishing touches on his portrait of President Obama.

Sam Maller | Asst. Photo Editor

Miller examines his final products.